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bcp001 - v/a - revelation bcp002 - dead man's hill -lakes of sacrifice bcp003 - it-clings vs pneumatic detach - the all too logical descent into madness bcp004 - objekt4 - shades of night bcp004 -worms of the earth - angels of prostitution bcp006.66 - famine - every mirror turns black bcp007 - v/a - wake up: get the fuck out of my house bcp008 - razor edge - mind stimulation bcp009 - v/a - saturation bombing bcp010 - it-clings - i'm the biggest fucking thing in the whole fucking world bcp011 - v/a - cum to my house. i have beer, i have scotch, there will be drugs! bcp012 - dead man's hill - speaking in the tongues of the universal reporter: live in hof ter loo bcp013 - famine - cocytus bcp014 - worms of the earth - the lesser ophidian gate bcp015 - compUterus - compUterus death of self - embracing the things we hate about ourselves bugs crawling out of people
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compUterus - compUterus

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review 1

bcp015 - compUterus - compUterus

release date: july 1st, 2011

The end of the movie 2001: A Space Odyssey always freaked me out. It wasn't all the trippy traveling through time and space and it wasn't the crazy fucked up ending, it was the sudden appearance of that space baby with the big head, hovering over the planet earth that did it. Oh, there was an impression that something wonderful was going to happen, a new step for humankind, but you know what, I just don't trust babies!

So you can imagine my apprehension when I came across the Toronto electronic act compUterus, and their imagery of not only a baby, but some sort of weird cyber-womb as well. "This is the beginning of the apocalypse," I cried! Zarathustra predicted it, that 'mankind was something that must be overcome', and now here was this tuned in, linked up and cybernetically enhanced creation right before my eyes, ready to latch onto Bugs Crawling Out of People!

"No no," compUterus' main driving force Greg Kowalczyk assured me, "You're totally wrong!" I allowed him a moment to explain, because often my fear-driven gut reactions are totally wrong.

"The machine is not to be feared," he told me. "The machine is where our music grows and from where it is born. It is not some Frankenstein creation at all, but a symbiotic creature that will enhance and enrich our lives!"

"The baby is the music. Wired in, bionic, a mix of organic and mechanical / electronic parts, growing inside the machine! It's totally cool. It's our friend."

Had Greg Kowalczyk never seen Metropolis? Terminator? I don't know what else... I think there's a scene that explains it all in Jurassic Park (Ok. I know that's about dinosaurs, but THEY can't be trusted either!) I'm sure probably half the episodes of Star Trek are about shit like this! It's all there in black and white, and then in colour and finally with so much CGI that it takes away from the meaning! Ok. Sure, the Terminator later comes back and saves the day, but the acting is terrible and the jokes begin to wear thin! That compUterus plays with samples from a host of B movies is just further confirmation that Greg Kowalcyzk is playing with dark forces that he cannot control.

Greg Kowalcyzk, like all madmen before him, thinks he can control the beast. He has been involved in the Toronto Industrial and Punk scene for over ten years; emerging from the Goth/Electro act Bitter Fall, and the Industrial act Born Into Oblivion, moving on to develop his skills in his main project, the IDM/Electro/Hardcore/Gabber act Pink Noise, while writing songs and playing guitar in blues/rockabilly/surf/post-punk act the Blind Cats, playing bass for Mip, and drums in the Punk band Skullians. Yes he's a musical fucking genius! But can he control this weird baby creature? That's what I want to know!

Kowalcyzk began the project in the early 2000s with experimental noise artist Trevor M. Wilburn, who has left the band try to tame his own beast, a solo project entitled Iron Imp. But even now the influence and perhaps the forbidding warnings of Wilburn remain etched in the DNA of the compUterus!

Perhaps Greg's idea to distract the compUterus by engaging it in a variety of styles, sucking up its CPU by having it incorporate the best elements from contemporary industrial with the genre progenitors, may work in taming the creation.

Monsters are invariably two-dimensional, focused on one simple pursuit. A more comprehensive attitude toward the compUterus may help it grow. The compUterus may turn away from possible destructive pursuits, and instead create a unique sound! How can a monster be creatively intoxicating with enough powerful beats to storm the dance floors and yet deep enough emotionally to offer cultivated arrays of smooth IDM waves and synth textures? This variety will at times restrain the brutal beats, the heavy electronic percussion and its all destructive possibilities! The result, it is hoped, will be a fully realized and rational creature, willing at last to live cooperatively within this world of humans and machines!

Only time will tell! The story of compUterus has just begun!

With this self-titled debut release, compUterus has assimilated the skills of illustrator and comic book artist Steph Dumais! The addition of Dumais is just adds to the terror! He's another mad genius whose creative juices will feed the machine! It's bad enough that he works as a storyboarder for an ad agency, but in what one might refer to as his free time, he has engorged himself on artistic projects, feverishly working with industrial labels such as Gashed!, Inception, COP Int'l, Beton Kopf Media, Geska, and Metropolis, while at the same time creating comic book masterpieces that include work with Tales of the TMNT for Mirage Publishing, Club Zero G from Disinfo Press, short strips for various horror anthologies, and his own series Zombie Commandos From Hell!, currently published by Virus Comix. Must we allow the compUterus to feed upon his fertile brain, the same way his own zombie creations feast upon the flesh of humans? Dumais will only give the compUterus' musical masterpiece an equally awesome physical form!


compUterus - grid

compUterus - progress is a train



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reviews

peek-a-boo magazine
peek-a-boo magazine

The world is full of strange creatures that we humans know almost nothing about, making them mysterious and even shunning them through our ignorance. The compUterus is a fine example, imagine a foetus living in a biomechanical womb, hooked up to who knows what with all kinds of wiring and tubes. A ghastly sight but don't let your eyes deceive you, the compUterus is here to help mankind! A biomechanical baby, assembling new forms of music. Ban those thoughts of HAL3000, Metropolis or The Terminator out of you mind, this one's here to help us out!

Greg Kowalczyk thinks he can control this beast and tries to keep its mind busy by injecting new forms and styles of music. But only time will tell if the compUterus is not plotting the demise of mankind, out of sight, hidden in its electromagnetic dna. But so far Greg's plan seems to be working as this debut album is a fine example of how to stay true to the originals like Front 242, Front Line Assembly, Klinik and newer stuff from Hands or Ant-zen, whilst giving it your own twist.

It's solely instrumental and with a lot of variation in styles it should appeal to a broad audience. Opener Grid is IDM with some mild distortion, next one "Progress Is A Train" is a lot harsher with rhythmic industrial and some fun samples comparing nuclear energy with Coca Cola... (progress is a train, you can climb on board, you can get out of the way, or you can be crushed...)

Out Of My Way sounds like a big Klinik-like intro but doesn't really explode into the EBM bomb that it could have been. The real blast comes next with the breaky 7 Souls, followed by the slow paced and evil sounding Creep. I'm not too sure about Trans Form though, the drums sound very lame but it does have some nice background samples, maybe it needs a bit a reworking or a new song implementing those ideas? I'd like to hear some more lyrics too, the song "Manufactory" from his previous EP sounded pretty good so why he kept this debut album instrumental is a mystery to me.

The rest of the album are all neatly distorted IDM industrial mutants that unfortunately lack a bit of pace. They all sound great but the last twenty minutes sound like a long outro. It sure is wonderful for background use so I'm sure the compUterus will come up with some terrific music in the near future! The artwork is by Steph Dumais who also made covers for Assemblage 23 and Negative Format. A fine album worth checking out!

Chris KONINGS
30/10/2011